The Museum of Modern Art in New York City is the largest and most influential museum of modern art in the world. As part of a creative aging initiative, our seniors got to engage with the art of photography in the MoMA. The program featured a guided tour of exhibits, and two photography classes at our center conducted by Jano Cortijo, an artist-educator from the museum.
“Looking” at photos at MoMA:
Jano Cortijo, an artist educator from the MoMA asks our what they notice in Samuel Fasso’s self-portraits
Our seniors study Robert Rauschenberg’s photographs at the MoMA
Henri Carter-Bresson, considered one of the world’s greatest photographers, said, “In photography, the smallest thing can be a great subject.” Our seniors were encouraged to look for the smallest thing in a photo and asked to wonder why it had been included and what effect it had on the photograph. We looked at light falling through a sheet, the lines on a tower, various graphic shapes in Robert Rauschenberg’s work — with Cortijo asking guiding questions that made our seniors understand the many choices that go into making a photograph. We talked about Samuel Fasso’s self-portraits which have him taking on roles of his heroes like Nelson Mandela and Angela Davis, and his attempt to take on a larger political and activist role as an artist.
Seniors workshop their own photographs
Photography class, homework and all:
Taking photos outdoors and in the street
A lesson about backgrounds
After looking at photos by famous artists, our seniors got a lesson in taking better photographs using a smartphone. They learned about backgrounds, about lighting, angles, position of the photographer, focus on the subject and rudimentary editing. They also learned about the difference in portrait photography versus landscapes, tricks to modulate the brightness in iPhones and so on.
Cortijo, the artist-educator, also assigned our seniors “homework.” They were asked to take photos at home using their new found skills. When their homework assignments were displayed on the TV, the class enthusiastically critiqued the results – generously pointing out what worked in the photos as well as the flaws.
Our seniors listened avidly and responded with enthusiasm to this foray into photography as art. While it is true that modern technology has made taking a photograph easy, it was fascinating for seniors to see it as an art form, one that required more than just a point and click. We could see that the lessons had made a difference–many of the photos taken after the class showed that they were paying attention and practicing their skills!
Our seniors loved the tight focus on the little boy, the symmetry of the trees, the repetition of ochre color in this photograph. (c) Jayesh Patel.
They danced on the stage, they danced in the street, they danced in front of our table. They were India Home’s wonderful senior ladies and nothing was going to stop them. Not the heat or the crowds or their sore feet. Our wonderful seniors had come prepared to be the life and soul of the Annual Rubin Block Party and they gave it their all.
Our seniors taught everyone, from the littlest guests to seniors like them, how to use the dandiya sticks. They demonstrated garba dance steps. They let people admire their beautiful chaniya choli (skirts and blouses) or saris. They also got the entire crowd to join in the dancing at one point.
We were thrilled to be one of the 6 community groups invited by the Rubin Museum’s Dawn Eshleman, Jane Hsu and Tashi Chodron to be part of the renowned Rubin Museum’s Annual Block Party that is held every summer. What we didn’t realize through all the planning and meetings was that it would offer so much fun for all concerned.
On a more serious note, our immigrant seniors who are also people of color, are sending a a very important message by participating in giant public events like the Rubin Block Party. Their very presence in these spaces demonstrates that older people of color are active and engaged in public life, that aging is what you make it to be. Their visibility helps to break down prejudices and benign ignorance around aging and seniors of color, and forces people to change their perspectives. Our mission is to challenge the stereotypes around aging, and we are grateful to the Rubin Museum for helping us realize it.
By Ashwak Fardoush
Ashwak Fardoush is a writer, writing coach and teaching artist, who recently facilitated the Writing Workshop for older adults at India Home’s Desi Senior Center.
The room buzzed with anticipation. The smell of cooked chickpeas and onion lentil fritters served to the guests still lingered in the air. Children’s cries rang out in the background. Amidst the noise, Salema Khatun took the stage. She recited her poem, “Shadhinota” (translated as “Independence”), alluding to the Liberation War of 1971 in Bangladesh. I felt proud as I watched her read her poem to the audience.
On the evening of May 19, 2017, we were at the Culminating Event for a Writing Workshop organized by India Home for its members at the Desi Senior Center. The event was also a Pre-Ramadan Celebration and a happy and proud occasion for our members. This was the open mic portion of the event
Members of the Writing Workshop at the Desi Senior Center
“I had put away my writing for twenty years. …. But I have written four poems in your class.”
Salema Khatun crafted that poem over the course of a few weeks. She had attended a writing workshop that I facilitated at the Desi Senior Center. Inspired by a prompt at a workshop session, she wrote a poem that she finished at home, writing a few lines at a time in between her household chores, showing me the progress along the way, and adding the final two lines because she wanted the poem to be a sonnet. Just the day before the event, Salema Khatun told me, “I had put away my writing for twenty years. After my husband’s death, I took on the full responsibility of my family. But I have written four poems in your class. Look what you have done for me.”
Seniors tell their stories through poems and memoir
Salema Khatun was one of the eight participants who were part of a bilingual memoir writing workshop* at the Desi Senior Center. This workshop was designed to help seniors tell their stories. This pilot program was a collaborative effort, making the phrase “it takes a village” truer than ever. The staff from India Home and the Desi Senior Center—especially Lakshman Kalasapudi, Nargis Ahmed and Meera Venugopal—worked tirelessly to make sure the seniors had a great writing experience.
As I heard Salema Khatun’s voice rise and fall, I remembered the first day of the writing workshop. It was a Thursday morning. I was setting up the classroom in one corner of the prayer room. Some were still praying on the other side of the room. I arranged the chairs in a circle and laid out the attendance sheet and the writing supplies on a chair. I had thought about the content and the structure of the workshop for the past two weeks. I even had a bare-boned lesson plan for the first session. Yet, I knew that I couldn’t plan out all the sessions. I was not teaching these participants. Instead, I was holding the space for the participants to tell their stories—stories that danced inside their bodies, that rested inside their eyes, that settled on their skin. I simply needed to let these stories surface on the page. While facilitating the workshop was not like any other teaching experience I had in the past—the participants were a few decades older than me, and the sessions were conducted entirely in Bengali—the advice I gave myself remained the same: I must keep my heart open, stay present and be curious.
Writing prompts and stories that unfolded against the backdrop of history
Quamrun Nahar reads her piece at the Culminating Event on May 19, 2017
There were eight participants who made up the core group: Md. Hoque, Md. Mokbul Hossain, Rafiqul Islam, Salema Khatun, Haque Mohammad, Quamrun Nahar, Md. Abu Sayeed, and Farida Talukdar. I did not know what to expect each session. By the second session, I stopped bringing a thorough plan. The participants were vivacious, creative, mischievous, intelligent, wise, and in awe of life. We would always begin with a writing prompt from my plan, but then the session would unfold in ways I could never predict. We would write spontaneously. Soon, I became adept at reading what the group wanted in that moment in order to serve them and their writing.
Each session the participants excavated memories from their long, rich, vibrant lives and shaped them into poems and personal essays. When I closed my eyes, I could see the writers leaning over their marble notebooks, and scribbling away. Sometimes we would travel to far-flung places or go deep within ourselves. Sometimes personal stories would unfold against the backdrop of history.
At times, the participants tried to write out a decade of their life during a session. Sometimes, I would ask the participants to scrawl a word on an index card, fold it and put it inside a mason jar. Then, I would ask a participant to pick a word out of the jar randomly and the group would write about that word. The first word picked out of the jar was “baba” (translated as “father”). Writers wrote about their love stories, their childhood friendships, and their son’s letters back home.
Participants eager to share their writing
Every session was memorable in some way. Once, I remembered seeing Md. Hoque writing in his notebook a few steps away from the class. Since the session was about to start, I gently asked him to come inside. He nodded, but his head was still buried in the notebook. A few minutes later, he entered the classroom and announced that he had just finished writing a poem. He not only addressed this poem to another participant, Md. Mokbul Hossain, but he also challenged his peer to respond back in the form of a poem. Md. Mukbul Hossain was deemed as the poet of the group. Even before the workshop, he had a moleskin notebook with poems written in his beautiful penmanship. He once showed me a poem he wrote in his notebook. The first line was a question a stranger posed him on his walk. He told me that he carried his notebook with him so that he could write down any detail, mundane or not, that can turn into a poem someday. Needless to say, Md. Mukbul Hossain managed to cobble together words to pen a poem to respond to Md. Hoque’s friendly challenge in class that day.
Md. Mokbul Hossain’s Poem, “Potichhobi”
Abu Sayeed was another participant in the workshop. He took two trains and a bus to travel from Brooklyn to the senior center in Queens. Before the first day of class, he told me of his interest in the writing workshop. He shared that his life was full of “korun” (tragic) stories and wondered if it was okay for him to write about those stories in the workshop. “Yes,” I said. “Life is full of joy and sorrow. Sounds like you have lived and have stories to tell! Please come and write with us.” So, he did. Md. Abu Sayeed would read his stories out loud in a voice that would tremble and crack at times. We would all listen, understanding the gravity of the moment and our role in it.
I was surprised by how eager everyone was to share their writing with each other. The ink would still be fresh on the page, our head would still reel from the memories we had dredged up on the page. Yet, the participants were ready to share their writing immediately. Quamrun Nahar read about scaling a tree as a child and falling down from it one day when she was stung by bees. She was carried to the kitchen where her grandmother rubbed garam masala paste all over her body. In a similar vein, Farida Talukdar often shared her anecdotes. We rarely made past the first writing prompt. The pieces people shared after the first prompt would inspire others to share their personal stories or debate passionately about a topic that surfaced in someone’s writing. We found ourselves discussing how in-laws’ relationship should be toward their children’s spouses, the struggles with upholding the Bengali language and culture in the United States, and the political climate in Bangladesh.
Teacher as Witness
Nancy Agabian, an author and founder of Heightening Stories, told me that the participants were “lucky to have [me] as their teacher and a witness.” That word, “witness” was the summation of my role. These participants contain a lifetime of memories and the workshop became a space where these writers got to share their testimonies—tales suffused with pain, joy, love, loss, dreams and despair—and were witnessed with respect and camaraderie. Md. Hoque wrote so poignantly on the last day of the workshop: “will we remember the stories of the three sisters and five brothers, a family meeting for a literature class lasting but for a short while?”
Council Member Daneek Miller and his wife, were among the guests of honor at the celebration. CM Miller handed out certificates to seniors who participated in the workshop
At the event, I looked to the stage once more. Salema Khatun had finished reading her poem. She paused for a moment and looked out at the audience. The crowd broke out into applause. Salema Khatun walked off stage. I smiled and then closed my eyes: I imagined the participants pulling out their marble notebooks and writing away with their ball point pens, putting one word after the next word after the next to tell all the stories they held inside of them until they were spent, until they were empty, until they were fully satisfied.
*This Writing Workshop was funded in part by Poets & Writers with public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
You can read the full publication of the writings by clicking here.
India Home’s program at the Rubin Museum was featured on the Museum’s blog.
India Home believes in providing creative aging programs that offer opportunities for our seniors to actively express themselves creatively, socialize with their peers while learning new skills, and engage in cultural performances.
…and a partnership with the Rubin Museum.
Sharan Bir Kaur led the crowd in a Kundalini chant
As part of this creative aging effort we have forged a partnership with the prestigious Rubin Museum of Himalayan Art in Manhattan. In our role as Community Partner, we’ve presented programs related to Ganesh, the elephant-headed god, and Mahavir Jayanthi.
This is our third event
On April 15, 2017, we presented our third program at the Museum: a celebration of the Sikh festival, Vaisakhi, traditionally a rite that marks the end of the harvest season in India. We hosted the event along the Sikh Cultural Center, one of the biggest Gurudwaras, or Sikh place of worship, in New York City.
This is how our program was described on the Rubin Museum’s blog.
Sikhs believe that every individual is filled with divine potential. At a time when racial and religious tension is high, New York Sikhs continue to celebrate their faith and values of equality, even when occasionally faced with senseless discrimination. At the Museum, Sikh and non-Sikh community members came together to celebrate Sikh culture and participate in the OM Lab.
Usha Mehta, a senior from India Home, enjoyed recording her voice in the OM Lab.
Twenty seniors from India Home attended and some of them enjoyed the opportunity to make use of the OM lab’s recording booth and “offer their OMs and join thousands of others in the chant that will be featured in the forthcoming exhibition.”
Our elders enthusiastically participated in a new experience, when Sharan Bir Kaur, a Kundalini yoga expert, led them and the rest of the audience in a short chanting meditation using the mantra “Wahe Guru” which is the Gurumantra or seed mantra in Sikhism.
Seniors from India Home enjoyed being part the sold out event
Jagir Singh Bains, an elder from the Sikh Cultural Center, further enlightened the audience with a short presentation about the basic tenets of Sikhism and the meaning behind the symbols of the faith, like the turban, the beard, and the kada (the steel bangle).
Manpreet Kaur taught the crowd to bhangra!
The night ended on a happy note with everyone dancing the bhangra! To read more click this link to go to the Rubin Muesum’s blog
Last year India Home was approached by John Rudolf, the Executive Producer of the Feet In Two Worlds podcast. The podcast is a project of the Center for New York City Affairs housed at the New School. “For the past 10 years, Feet in 2 Worlds has brought the work of immigrant and ethnic media journalists from communities across the U.S. to public radio and the web,” according to their website. Rudolf introduced his student-reporters, Sruti Penumetsa and Alex Wynn, who were interested time in making a podcast about India Home. Sruthi and Alex came by and spent time in our satellite centers at Sunnyside and Kew Gardens, talking to our South Asian elders, and blending in so well, that half the time we even forgot they were around.
Now the results are in – the work Penumetsa and Wynn created is up on the FiTW website. It features the voices and opinions of many of India Home’s members. Our members share intimate details of their lives, talk about the loneliness and isolation that accompanies aging, and how they deal with it, their yearning for their homeland, and the comfort they find in their friends at India Home. What emerges is an audio portrait of a vibrant, close knit community that has adjusted to the vicissitudes of aging in their own inimitable way. Click the link to listen to the podcast here: https://feetintwoworlds.podbean.com or click below:
I Feel Like I’m Home – The Fi2W Podcast
India Home held its annual Fall Luncheon and Fundraiser at Five Star Banquet Hall in Long Island City, Queens on Saturday October 1st. We were celebrating a year of steady growth and expansion, of course, but the well-attended event was also a huge thank you to all our friends, supporters and partners.
The celebration opened with a Hindustani classical music recital by performers from the Chhandayan Center for Indian Music. Our wonderful members from India Home performed a vibrant garba dance and we screened a short video about our Desi Senior Center. India Home was lauded for its work by both Councilmembers, Barry Grodenchik and Rory Lancman who attended. India Home honored Councilmember Rory I. Lancman, who has been a steadfast friend and supporter of our efforts. He was recognized as “a distinguish leader for South Asian older adults”. In his speech he said that India Home was providing vital culturally competent services to a growing community of seniors and the trust and experience we have in the community is an integral part of our organization.
Dr. Vasundhara Kalasapudi urged the elected officials and community leaders to work with her on trying to get a permanent facility for our seniors. “India Home needs a home,” she said, to cheers from the audience. A silent auction was held for painting donated by artists including the late Hario Sajnani. We were also happy to introduce two new board members to the attendees, namely, Ali Najmi, a prominent lawyer who ran for New York City Council and was endorsed by the New York Times in 2015, and Mukund Mehta, a former Senior Tax Attorney with Caltex and a Moot Court Judge with NYU Law.
The fundraiser was a successful event allowing us to raise critically needed funds for India Home. This support helps India Home tremendously as we begin to expand into new program areas and activities. Here’s to another successful year for India Home!
Please stay tuned for more photos in the coming weeks.
India Home’s Board & Staff welcoming our new Board Members
MoMA, the Museum of Modern Art in NYC, is not only one of the world’s largest museums for modern art, it is also the most influential museum of modern art on the planet.
Now the museum is bringing its power and prestige to a program that will get more older adults to visit the museum, take its classes and learn about art. Called Prime Time, the initiative plans to engage older adults with opportunities to experience art in new ways and is part of a broader attempt to redefine aging.
India Home was part of Prime Time Exchange, a conference that brought together 20+ museums and cultural institutions, 20+ multi-services agencies and aging services organizations, city agencies, community-based arts organizations and teaching artists. India Home’s Lakshman Kalasapudi and Meera Venugopal were on two separate panels with Evelyn Laureano of Neighborhood SHOPP that serves 5000 seniors in the Bronx and Christian Gonzalez-Rivera of Center for an Urban Future, who, among other things, is the author of an important and timely study of immigrants and aging in NYC.
It was an opportunity to make great connections with other museums and art organizations and we hope to see teaching artists from MOMA come out to meet with our older adults. We were happy to share our experience of serving South Asian immigrant seniors with the audience at the Exchange. We hope that more arts institutions in NYC will think about the unique needs and perspectives of immigrant seniors and invite them to contribute to this conversation about art, creativity and aging.